Welcome to the mutable zone.

All is changing. There is no need to check your vestments. There are no locks, the doors are all unhinged.

We have begun (we have, we will), in our collaborative ferment, to enact a free space beyond the institution (CSU, “higher learning,” discipline), one where structures of power or invention are not prescribed by habit or resources. We clear a space for making and so make a home for Art. Another way of describing this is the creation of a Temporary Autonomous Zone (TAZ), what Hakim Bey, in his book of the same name, declares as a site for artistic insurrection: “islands in the net,” “free enclaves,” “simulated counter-States,” “poetic terrorism,” “the psychotopology of everyday life.” Welcome. It has been waiting for you, and you,
seductively, it.

Photos:

Gallery Talks

"Shrimp Baby" by
Chloe Leisure and Rebecca McGoldrick

"The Parliment of Fouls" a flash play by Matthew Cooperman (see text)

Interpretive Dancer